This is the second of a 3-part retrospective of my 2014 photography. In Part I, I picked my favorite images from a body of 35mm B&W film work that I did with my 1962 vintage Leica M2 and Zeiss glass. In Part III, I will focus on my color digital street work. What you will see in Part II is all film, but in a mix of formats and genres. I experimented with large format, medium format, and a panoramic 35mm swing-lens camera (go check out Jeff Bridges photography and the work he does with his Widelux to learn more about this type of camera – yes Jeff Bridges the actor, yes the son of Sea Hunt start Lloyd Bridges, yes I just gave away my age). The medium format cameras (6cm x 6cm negative) were of two different styles, the Hassleblad 500 c/m which is a single-lens-reflex and a couple of different twin-lens-reflex cameras – a Mamiya C220 and a Rolleicord V. The Rolleicord is a low end Rolleiflex but still with great optics. Early in the year I took a 3 day trip to Bosque del Apache and White Sands National Monument. I am no wildlife photographer and a limited landscape photographer, but I spent this trip mostly focused on medium format landscapes with the Hasselblad. White Sands National Monument is super photogenic and much easier to navigate than the dunes in Death Valley. My favorite from the trip was using a red-sensitive film called Rollei 80s with a strong red filter. My medium format work is intended to be abstract and simple, an exercise quite the opposite of my street photography. I spent the morning at the Santa Paula Airport, the owners of the vintage planes can avoid certain costs and taxes if they show them several times a year. To support this, the Santa Paul Airport is open one Sunday of every month for the owners to show their planes. This airplane was all chrome. Chrome and B&W just go together. Hasselbladd 500C/M, Fuji Neopan Acros 100. From May through October, for one Saturday each month, Bodie allows photographers in at sunrise and to stay through sunset (check the Bodie Foundation website, you need to pay in advance). My objective was to use the 4×5 on the buildings, but it just wasn’t working out. I had also just bought a camera called a Horizon Perfekt swing-lens camera. It is a modern Russian version of a camera like the Widelux which you can purchase new through the Lomography store. These cameras take 120-degree panoramas with a 28mm focal length lens that swings from right to left across the scene. It is easy to get barrel distortion so care must be taken to keep the camera level. I ended up really enjoying the use of this camera in Bodie. Here is one of my shots. Horizon Perfekt, Tri-X 400. Ok, I know that I said this part would not be my usual street stuff, but since this was taken on the Horizon Perfekt, I felt I should include it here rather than in Part 1. As I used the Horizon Perfekt, I knew that I can’t always get the camera level so I thought I would play with the distortion. Here on the beach, lining up the moments. Horizon Perfekt, Tri-X 400. Last, but not least, an image which shows what you can do with a twin-lens reflex camera. This was taken with a Mamiya C220 as gifted to me by my good friend Milt Morris. Another reflection with shadow – sort of like my Hollywood Blvd shot in Part 1. The hat is mine, the camera is just visible in the shadows with the window sill. Mamiya C220, TMAX 400.