Downtown Los Angeles is filled with paradoxes and juxtapositions. Bridal shops and the homeless mix on Broadway.
Here is my second image of Frank Gehry’s Disney Hall in Los Angeles taken on film with a Hasselblad 500 C/M and 80mm Planar lens.
An implication of shooting medium format is that, due to the prohibitive cost of an entry-level medium format digital camera or digital back, I now need to work with film. At first I was intimidated. Although I have blossomed as a photographer using digital, I can also see how it makes us lazy. It has made me lazy in evaluating composition and lazy in evaluating exposure. I shoot, look at the back of the camera, adjust, and shoot again. If I get close, I move on remembering the digital mantra, “I can fix it in post”.
I built my plan to use a digital camera for proofing the exposure and composition before committing an image to film. After reading and re-reading Ansel Adam’s The Negative, I carefully metered the scene both using spot metering and evaluative metering. I was interested in see the difference between what I might set thinking through the Zone system and the evaluative metering the camera would suggest. I also bracketed one stop lighter for fear of losing detail in the shadows, as Mr. Adams so carefully warns.