This morning I took a hike with some friends and the overcast skies made for perfect shooting conditions. This oak was adorned with vines of poison oak beginning to show their fall colors. With the subtle light shining through, it looked like an intricate stained glass window.
Like a hunter in pursuit of that elusive prey, I’ve been in pursuit of night-time fair shots for some time. Mostly they end up in the bit-bucket, a jumble of over exposed lights and chaotic people. (A notable exception is my 2nd Place Fair Theme win at this years Ventura County Fair. It was taken last summer at the Santa Monica Pier). Given that luck and quantity weren’t helping with the quality of my output, a bit more thought was needed. Time to get the Artist and the Geek to talk to one another.
I’ll explain this one like I have a few others since listening to David duChemin’s CreativeLIVE Vision Driven Photography webinar. First a list of what I saw and felt. Then lists of how I went about the Frame, Capture, and the Process using the list as a guide.
The List – what I saw and felt, what I want to convey in the photography
- Lights and bright colors
- Vendor booths of junk, pure junk
- People, together and separate
- Light in the darkness
- People are part of the scene, but not the scene itself
The Frame – what will I put in the frame
- I really wanted to see people interacting with the brightly lit vendor food booths. Here I saw these three friends in front of this booth. There was a lot to attract me to this subject. They were there for quite some time so I had time to think and compose. They were well back lit. It was a group of 3 (perfect!). There were good colors and contrasts of the group – red, black, and white.
- The background booth was as colorful and audacious as it gets – The Good Stuff – all junk, pure junk. Then think about the friendship of the group of 3, hanging at the VC Fair for the evening. Now, isn’t that the Good Stuff too?
- The rest just sort of fell into place – nice oblique angle, balance using the rule of thirds, timing getting the rest of the path clear.
The Capture – what camera settings, lenses and why
- The oblique angle gives me some excitement
- The exposure was the difficult part. The obvious solution to high-contrast situations is HDR – so I bracketed -2, 0, +2. This would allow me to capture the detail inside the building as well as the outside. I also knew that I would need to reblend in the middle-exposure of the people in order to avoid ghosting of movement.
- 55mm – really just a standard street length. Let the building and the scene do the speaking.
The Process – post processing
- I’m not a fan of wild HDR, but it is quite useful for these high-contrast scenes. For this I wanted lots of detail within the image, but keep the people as silhouettes with just the edge light. A combo of Photomatix from the RAW images and tweaks of the tonemapped image in Lightroom.
- Then I processed the middle exposure to match the HDR and using Photoshop and layers, I masked the people in over the HDR to remove the ghosting effects of the people movement.
The result is a bright and dark scene. The colors of the fair and the emotion of friendship.