Sometimes you come home with only one image, but that is all it takes.
It was cold and breezy outside, so Jerry Weber and I decided to shoot Christmas Day the Los Angeles Union Station instead of downtown Broadway. Up on the train platform, there were trains on two adjacent platforms, effectively creating a tunnel except for a small slit near the roof and between the train cars. I took a bunch of shots while the passengers were loading, but the payoff was near then end with the last few stragglers.
The sun, though low, was quite intense and in looking at my early shots, I had the wits about me to push down the EV 2-stops. While I was shooting, I was just concentrating on getting the face in the shaft of light, keeping my framing straight, and fixing the relationship between the light in the upper right and the corner of the frame. I didn’t recognize the reflection or little red lights on the side of the train until I looked at the back of my camera.
Avoiding the rain, and my diet, we ducked into a Pastelarias (Pastry Shop) along Rua Augusta, a pedestrian-only street that runs from the Rio Tejo river into Lisbon.
My friend Jerry and I were shooting around Beverly Hills and wandered into this art gallery. Even though we were dressed by bums (i.e. street photographers) they were very polite to us and even gave us some bottles of water. While I was admiring the art of Dali, Picasso, and Miro, Jerry struck up a conversation with one of the Gallery art reps. Turned out he needed a head shot and he had two photographers at his ready. After the posed portraits were done, I turned around and noticed he had used the bronze statue to hang his coat.
Olympus OMD E-M1, Oly 17mm f/1.8 (35mm equiv)
My color photography has taken a back seat lately while I’ve been focusing on my black and white film photography. Here I treat you to a few color images from a Memorial Day walk around Venice Beach working with the Olympus OMD E-M1.
It is hard to make something new with fireworks. I can think of several styles: traditional, lots of context, and zoomies. This year I saw something new to me – changing focus. What I learned when I started to edit mine, is that it was not so much what I took, but how I chose to present it.
All images taken with the Olympus OM-D E-M5 and M. Zuiko 12-50 Zoom. Roughly f/11 @ ISO 200. Some straight, some zoomed. I used the LIVEBULB mode to judge exposure and timing as I watched the image appear on the back screen. This is what I would call the antithesis of shooting film.
I’m still in the image harvesting stage from my Cuba trip. I have a good idea where some of the gems are located, just waiting for me to get to them. There are some sections of images I’ve hardly touched because they represent a big project. For example, I have a set of images taken off a rooftop in Havana. I know that I have a lot of culling and panorama stitching work to do in order to bring together the complete vision. So they sit and wait for a long quiet weekend.
This image, on the other hand, was a complete surprise. It was buried within a series of images I took walking along the Prado on afternoon. Sometimes, when I shoot, I see a theme but I just can’t get all the variables right. That was the case, mostly, with the images from that part of the day. Except for this one. I don’t even remember taking it.