Camp Keeler #1 by I Nancy, on Flickr
Keeler California, located on the east shore of Owens Lake, population was 66 at the 2000 census. Home of the Cerro Gordo Mines, one of the richest producing silver, lead, and zinc begining in 1866 and peaking in the early 1880s. Silver from the mine was smelted in the town of Keeler and floated by steam boat across the Owens Lake. Ownen’s Lake is now a dry lake-bed and Keeler a decaying town.
But there is a sense of humor in Keeler where Norm Hoffman built his homage to the Lake on a plot of land which was once a lake side property before 1924 when Mulholland’s Los Angeles Aqueduct bleed the lake dry.
I have visited Keeler twice now and hope for a few more visits. There is a wide variety of new and old. Everywhere cars and trailers in various states of repair and decay. Recently, instead of peppering around an image here and an image there, my goals are to create small focused studies. Here is the opening expose for my full set of images entitled Camp Keeler.
Camp Keeler #2 by I Nancy, on Flickr
Salt Flat Reflections by I Nancy, on Flickr
This is one of those images that I knew would be included in my portfolio the minute I checked it on my camera’s screen. I’m glad there were no technical issues, I had been pretty good about being technically deliberate the whole weekend.
Salt polygons are one of the iconic images of Death Valley and for two days we had scouted the east-bank of Badwater Basin for the perfect spot. However, due to unusually large amounts of rain this winter, most of the basin is flooded and the salt formations have dissolved under a foot of water. Badwater wasn’t a complete disappointment however, the sunset that night was spectacular and was reflected north and south of the usual vantage points (images will be processed and posted in a future post).
On our last afternoon we were debating where to spend our last sunset. There were unfortunately no clouds in the sky, it would be a relatively tame night. Should we return to Devils Golf Course? Will the Cornfields have good light? Salt Creek was on our mind and unexplored. We wandered into the Furnace Creek visitor’s center to try to get some clarity. The ranger there talked about Desolation Canyon and a few other places and then offhandedly mentioned “if you want to see salt polygons, you can find them off of West Side Road”. We were there! We scouted during the day, and snapped a few in the too bright light and formed our plan to return later.
We arrived in time to watch the sun go down in the west lighting up the mountains to the east. I had found this leading line of rocks heading into the water and lo and behold, a beautiful golden reflection of the mountains. Tripod was set, careful f-stop for full depth of field, live-view (for mirror lockup), and click-click, two for good luck. These conditions held for no more than 15 minutes, the glowing rim growing then shrinking. A bit more time in the afterglow but these I were the ones I knew I’d remember.
Salt Delta by I Nancy, on Flickr
More images from Death Valley
Quiet Light at Mesquite Dunes. Death Valley, California, by I Nancy on Flickr
Some time ago, the assignment in the Martin Bailey Photography Forum was quiet light. It was an interesting assignment for me. Although I’ve always admired low-contrast images, the approach had alluded me. These images, taken this past weekend at Mesquite Dunes in Death Valley, are my tribute to quiet light.
On this morning we were treated to a light layer of high clouds, what my friend Darrel Priebe calls God’s Softbox. I like how the gentle shapes of the dunes match the mood of the gentle light. The sky was a beautiful powder blue with nearly the same B&W tonal value as the dunes themselves. These images are pretty enough in color but the color contrasts were contradicting the whole low-contrast, quite light, feel that I was seeking.
The RAW files were first processed in Lightroom to adjust dynamic range, then brought into Silver Efex Pro for conversion into B&W.
Peaks by I Nancy, on Flickr
More Death Valley Images
Stand Tall by I Nancy, on Flickr
Today’s hike was at Malibu Creek State Park with good photo buddies Jerry, Connie, and Hutch. Jerry, Connie and I were trying out our gear management systems (err, I just made that up – how we carry our gear) for a trip to Utah that we are taking at the end of the month. I was testing out how I would carrying my new Induro CT114 carbon fibre tripod and Acratech GP Ballhead. With the whole setup weighting a bit less than 4lbs they were both a pleasure to use and to carry. I mostly just carried it across my back draped diagonally across my body. The biggest hitch was managing how the camera, tripod and hat straps were intertwined.
“Gear is good, but vision is better” (thank you David DuChemin) so I must get to talking about my vision for these images.
In September it is starting to feel like fall in most parts of the US, but not in beautiful sunny southern California. Here is is still full on summer. Highs between upper 80 and 100 F. Today was about 84. The sun is bright and harsh and all the bad stuff for taking photographs. I’m not one to make my living from HDR images, but I knew before I left the house that HDR was a technique I would need today to keep the exposure and lighting under control. Also, this little grove of redwoods and just that, a little grove. A little anomaly in what is mostly brush, sycamores, and California oaks. And in comparison to the big redwoods in northern California, they are quite small. I wanted to exaggerate their height and isolate them to make it feel like we were surrounded by redwoods. Setting up the tripod I was conscious to keep the sky as filled with branches as possible and create some dramatic angles. f/9 for good depth of field, 28mm for fairly wide angle. In this shot I setup specifically to shoot into the sun. It is actually one of my favorite things to do to add additional drama and power to a shot. Since I was shooting HDR, I knew I could recover the tree shadows in the exposure brackets.
Here are two more from the day: one capturing the spread of the branches and the other as if the redwood was posing for a classic portrait.
Braching Out by I Nancy, on Flickr
Portrait View by I Nancy, on Flickr
I am in the process of reading David duChemin’s book Within the Frame, The Journey of Photographic Vision. Refreshingly, this book is neither about mastering photographic technique nor photo processing software. Rather, this book is about creating and executing your photographic vision. Early in the book is a discussion of two opposing forces for the photographer: the Artist and the Geek.
You probably know these two personalities. The geek who concentrates on the gear and technique – both in the camera and in post processing. The artist who brings creativity and uniqueness of vision. The point of David’s writing to that we need to find the balance. It is the harmony of the two that provides us our best images.
This line of thinking leads me to two questions worthy of evaluation:
- What can we learn from the masters about how they keep the balance?
I’m not a great photography historian, but I think I can somewhat compare the process of Ansel Adams with that of Henri Cartier-Bresson. By all accounts, both of these photographers were masters of their art. There is no denying that Adams had his technical skills honed to great advantage. Cartier-Bresson, I am lead to understand, was not interested in the process of photography, only the process of capturing an instant drawing.
- Who am I?
Which of these two personalities do I most often bring to the party and what happens when one or the other fails me?
How I choose to study and practice my craft based on the pushes and pulls of these different sides will surely shape my photography. Do I contain the artist, bringing it back on the path after a little too much experimentation? Do I disdain the technician and the possibility of cold, unfeeling, yet perfectly correct, imagery. This defines my own personal photographic journey. Is it a peaceful co-existence or a battle of wills?
Seeing all the poppies I was thinking that I wanted to showcase some of the other wildflowers with the poppies as their backdrop. These little purple flowers are just the blooms of a weed which seed into these little twisty stickers. I remember playing with these as a kid. They are very common. Here they get first billing with a nice contrast of orange and purple. I also really like the hints of in focus poppies on the left side of the image.
I’ll be posting more from the Poppy Reserve.