They work in pairs. The man at the front door of the cathedral turns away women in sleeveless shirts.
These past couple of months I continue to work both film and digital, nature and street. In May I spent a weekend in Bodie and June Lakes in the Eastern Sierra’s. I spent more time being with my husband than shooting, but I got in some late afternoon shooting at Silver Lake and then the next morning at Bodie. I previously posted my Bodie images from the Horizon Perfekt.
These are from Silver Lake in the late afternoon, around 5pm. Silver Lake is on the northern side of the June Lake loop. There is a nice lake with marshy grass and lots of aspens. The area I was shooting is right off a parking lot which probably accounts for the graffiti on the trees. It seems that no mater how much I work on my nature subjects, I’m still attracted to the scenes with a human touch.
I’m fairly happy with these images, but still view them as learning-sketch images. Compositionally, nature scenics is something that I still need a lot of work at to capture the quiet elegance that I’m after. Recently I learned of the photographer Tim Rudman through an interview with him on the Film Photography Project (FPP) podcast. I like his imagery very much (and the FPP too!).
In this scene of Silver Lake, I was attracted to the texture of the marshes, the sweep of the shore-line and the bushes on the far side. I have only an 80mm and 60mm lens for the Hasselblad. I am working hard at capturing the right light for these black and whites.
I think the aspens are somewhat more successful. Here is a different composition of the trees with the graffiti. Though I’m not so sure about the space between the group of trees on the left and right.
Camera: Hasselblad 500C/M
Lens: 80mm Planar T*Filters: Yellow, ND Grad on the scene with the lake
Film: Fuji Neopan Acros 100
Development: Rodinal 1+50
This scene was at the market in the little town of Metla. Tourists (that included us) head to Metla to visit the ruins but their street market was going strong in preparation for Dia de Los Muertos. We stopped for a little while and gave the town locals a good laugh with our cameras. This woman was the greatest. She had the chicken seller pulling out each bird, upon which she would weight in her arms and then ask seller for a different one. Only the best chicken for Dia de Los Muertos. I’ve made the chicken’s the star.
Day of the Dead (Spanish: Día de Muertos) is a Mexican holiday celebrated throughout Mexico and around the world in other cultures. The holiday focuses on gatherings of family and friends to pray for and remember friends and family members who have died. The celebration takes place on October 31, November 1 and November 2, in connection with the Christian triduum of Hallowmas: All Hallows’ Eve, All Saints’ Day and All Souls’ Day.Traditions connected with the holiday include building private altars called ofrendas honoring the deceased using sugar skulls, marigolds, and the favorite foods and beverages of the departed and visiting graves with these as gifts. They also leave possessions of the deceased.
I had the honor of visiting several cemeteries in the towns surrounding Oaxaca City for Dia de Los Muertos this year. These images were from the town of Santa Maria Atzompa on October 31st, though we witnessed similar sights in Xoxocotlan and San Filipe del Agua. The cemeteries were overwhelming and the task of capturing the the scene and their mood was daunting.They were both solemn and festive, traditional and modern, quite and loud all at the same time. Street festival took place just outside the gates and there was plenty of mescal being poured. At one point I found myself in a dose-doe with a drunken man in a cowboy hat, as we tried to pass on the narrow paths between the grave sites.
It has been a few weeks since my visit and the distance has only served to strengthen my memories as I look back on these scenes. The cemeteries glow with candles and the air is filled with the potent smell of wild marigolds (cempazutchil) accented with bright red cockcomb (terciopelos). It is visually overwhelming and surreal.
On a photographic note, it is maddeningly difficult to print these images. It is hard enough printing night images, but these images have an additional challenge. The natural shade of the bright orange marigold and the magenta of the red cockscomb are “out of gamut” color on most printers. I am still working through finding a solution.