The Forrest and the Trees

Aspen Studies
Aspen Studies by I Nancy, on Flickr

Like many photographers, I have been fascinated with trees for some time, but it is only recently that I’m feeling comfortable with my renderings. My approach has been to look for the patterns created by the trees. In the upper image I found this arrangement of three (three is good). The way the trees are bending in different directions give me the feeling that they are dancing to some unheard  early electronic music from the 70’s. In the lower image I saw the contrast of the grasses in front of the forest behind. Again, there is a subtle dance to these trees. I used black and white to show off the contrasts of the yellow leaves against the rest of the tones in the scene.

View more in my Eastern Sierras set

Aspen Studies
Aspen Studies by I Nancy, on Flickr

Creekside Morning – Horizontal and Vertical

Morning at the Creek
Morning at the Creek by I Nancy, on Flickr

I’ve often heard the advice that for every vertical composition, you should also take a horizontal one. The idea is that you never know what you will need in the future as well as providing an automatic way to ensure that you continue to work through and think through the scene.

At this scene I love the feeling of the wide shot below with its tunnel of trees and forced perspective. I do wish, however, that I brought the chain saw to deal with the dead branches on the right. On the other hand, the vertical shot brings its own power as a more intimate view into the creek.

Creekside
Creekside by I Nancy, on Flickr

Aspens lit like Jack-o-Lanterns on Halloween

Into the Sun
Into the Sun by I Nancy, on Flickr

It was a quiet morning in the canyon on the road to South Lake outside of Bishop. We had been scouting around North Lake the day before and, as had been reported by others, much of the color was damaged by the storm the week before. We headed down the South Fork road, not too early, and stopped at a pull off with a promising grove and access to the creek. Being in the canyon, we had a couple hours of beautiful soft morning light before the sun would crest over the eastern canyon walls. These first images I’m posting are from the 15 minutes after the sun crested over the wall and lit up the aspens like jack-o-lanterns on Halloween. They were taken between around 10am and 10:15. (If you check the EXIF, I believe my camera clock is off by one hour, as I customarily never set it to daylight time).

Although, some talked disappointingly about the mix of green and yellows, I was delighted with the mix of colors. You will see even more of this mixture in my next post which will show the grove before the sun came up. I have also been fascinated with tree-scapes for some time and mentally I was really searching them.

Nature's Stained Glass
Nature’s Stained Glass by I Nancy, on Flickr

Figueroa Mountain Oaks – Subtle in HDR

Figueroa Mountain Oaks

I’ve heard that the best way to learn is to do, but I think the best way to learn is to teach. This weekend I was working on an overview of HDR photography for the Thousand Oaks Photo Group. My teaching philosophy is around motivation more then instruction. If you can motivate the learner into wanting to use a technique, the instruction takes care of itself.

I needed a set of images to explain why to use HDR and I remembered some images I took at Figueroa Mountain last spring. Figueroa Mountain is a beautiful place spread with old oaks and fields. We went for the wildflowers, but they were a bust this year. We had to satisfy ourselves with the groves of trees and mountain air. The oaks were just sprouting their light-green tender leaves and the sky was beautiful but bright. These were the conditions for neutral-density graduated filters or… HDR. I bracketed many scenes but never got back to fully process the shoot. This weekend was my opportunity to do some experimentation with the goal of creating a concrete set of guidance for approaching HDR.

My use of HDR is subtle and I typically shoot in 1-stop exposures. I use Photomatix Pro on my RAW images for the tone-mapping and then Lightroom and Photoshop for additional adjustments.

Figueroa Mountain Oaks