I spent much of the first half of 2014 shooting black and white film, 35mm street stuff and some medium and large format landscapes and other scenes. Around the middle of the year, I was nervous that I’d not have a 2014 portfolio to show because I was doing so much experimentation with film. Because of this, during the second half to the year I started to shoot more color digital again. In September I was able to focus on my color work with nearly 2 weeks in Portugal with a short stay in Barcelona. For this trip I concentrated on my color digital work.
I’m going to lay this retrospective out in 3 parts:
- Part I – On the streets in B&W 35mm film
- Part II – Not my usual street stuff – Other formats in B&W film
- Part III – Color – This is what digital cameras are made for
Here is Part 1, stay tuned for Part 2 and Part 3 later next week.
Part 1 – On the streets in 35mm Film
The year started on film shooting locally at the usual haunts – Santa Monica Pier, Venice Beach, Hollywood, Downtown LA. My favorites in 35mm B&W are a mixture of things I went out looking to shoot and stuff I just found when I had a camera with me. A bit of this was for a project to depict LA in B&W for a group call the Film Shooters Collective.
3 Legs – Brent’s Deli in Westlake Village.
I wanted to experiment with pushing TriX from 400 ISO to 1600 and 3200, so I bought a bunch of rebranded Tri-X from Freestyle (their Arista Premium 400 24 exposure rolls for $2.69) to experiment with. The camera of choice was my 1962 vintage Leica M2 and a 2014 (not vintage) Zeiss 50mm lens. No filter for this one.
Stop for Clouds – at the corner of Wilshire and San Vicente, West Los Angeles
Chick and I were driving to my friend Jerry Weber’s house, on our way to spend some time shooting down at Santa Monica pier. I looked up out the window and was struck by the reflections of the clouds – a rare sight in Southern California in 2014. I framed up the shot again with the Leica M2 and 50mm lens.
Even in Winter – Santa Monica Beach
Even in the winter, southern Californians head to Santa Monica beach. This was on the same day as the image of the stop-light but the clouds had gathered more thickly. I like the composition of elements with the line of people on the beach on the left and the life-guard house on the right. If you want to know what Santa Monica beach looks like in the winter – this is it. I worked this scene fairly hard with lots of different compositions. For this subject I waited it out to get the gesture and the wind in her hair.
Hollywood Souvenirs – Hollywood Boulevard
A complex image, to be sure, with a lot to look at. I wasn’t quite sure of this image, it was always one of my favorites but I was never quite sure if it was too complicated for others to appreciate. I like the way you can look all around the image, round and round, and then bam – head right to the center. I also like that it is uniquely Hollywood. I showed this image to Gerd Ludwig at an impromptu portfolio review. It was one of his favorites. Again the Leica M2 and 50mm lens.